Camden New
Journal (London) 21 April 2005
Science and arts in stylish conflict
PHALLACY
New End Theatre
By RACHEL CALTON
IN the
premiere of Carl Djerassi’s Phallacy, science and art do battle on stage. She is an art
historian, passionately dedicated to antiquities and most importantly the
bronze statue of a young male nude.
He is a scientist,
eminent in his field, able to pin dates to antiques using highly-developed
technology.
When he
steps in and re-attributes the date of the statue, undoing her published
hypothesis that it is a Roman original, a lively debate is born.
Does the
“crass” financial value of art reduce its aesthetic value?
Does
scientific analysis rule out wider historic interpretations? Can passion
outweigh objectivity? Can one rule of investigation ever bring us the truth?
However,
this is not just the battle of truths, it is the battle of two academics, both
as impassioned by the debate as they are devious in their ways to undermine
each other.
This gives
way to strongly played characters in an entertaining and jocular relationship.
The
interplay between the two professors and their younger underlings is witty and
light-hearted and anybody who fears intellectual overkill can rest at ease with
Hamish Clark as Otto. Best known for his role as kilt-donning Duncan in
BBC’s Monarch of the Glen, Hamish’s fun-loving humour works just as well on
stage. The performance is as funny and flirtatious as it is topical and clever.
Like Tom
Stoppard’s Arcadia, Phallacy is cleverly staged. History and the present day act
themselves out on the same stage, the interplay showing the characters’
struggle to find the statue’s true story.
Even though
compromises have to be made to tie up the play, the love interest between the
underlings that looks to span the divide has an interesting outcome.
Carl
Djerassi, also author of Calculus, is a renowned scientist. He is best known for the
invention of the contraceptive pill, an achievement which made him the only
living person to be included in the Sunday Times list of the 30 Men of the
Millenium.